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Unique Durations: 6-7
Unique Accidentals: 3-4
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soprano
Senior Project P1
SIRJAZZYDOO
0:50 Est. Play
Time
36 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone
Saxophone		 Treble 15 0 2 7 97%
Tenor
Saxophone		 Treble 15 0 1 7 83%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Baritone
Saxophone		 Treble 15 0 2 7 97%
Tenor
Saxophone		 Treble 15 0 1 7 83%
Soprano
Saxophone		 Treble 14 0 2 6 66%
Alto
Saxophone		 Treble 15 0 4 6 60%
 
Parks and Rec Medley Sax Quartet
smoothjazz02
3:08 Est. Play
Time
67 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
Saxophone		 Treble 23 0 5 7 100%
Baritone
Saxophone		 Treble 21 0 5 7 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Alto
Saxophone		 Treble 23 0 5 7 100%
Baritone
Saxophone		 Treble 21 0 5 7 100%
Tenor
Saxophone		 Treble 19 0 4 7 100%
Soprano
Saxophone		 Treble 22 0 5 9 97%
 
Counterpoint Pie Jesu
Heidi Bletzinger
1:31 Est. Play
Time
29 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
Saxophone		 Treble 11 0 4 6 100%
B♭
Trumpet		 Treble 14 0 3 8 72%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Tenor
Saxophone		 Treble 11 0 4 6 100%
B♭
Trumpet		 Treble 14 0 3 8 72%
Trombone Bass 9 0 2 6 59%
Contrabass Bass 5 0 2 5 45%
Soprano Treble 9 0 3 5 45%
 
Vals Mi Cariñito
Kike Muedas
1:19 Est. Play
Time
54 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flauta Treble 10 0 2 6 100%
Bajo Treble 15 0 2 6 98%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Flauta Treble 10 0 2 6 100%
Bajo Treble 15 0 2 6 98%
Contrabajo Bass 13 0 2 3 98%
Clarinete Treble 14 0 2 6 86%
Saxofón Treble 13 0 3 4 85%
Sax
soprano		 Treble 17 0 4 6 80%
Trombón Bass 13 0 1 6 76%
Trompeta Treble 11 0 1 3 63%
 
J.S. Bach – Chorale «Was Gott tut das ist wohlgetan» for Sax Trio & Trumpet
Aquarius-Ru
1:42 Est. Play
Time
39 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Saxophone Tenor Treble 16 0 4 6 95%
Cornet
or Trumpet		 Treble 12 0 2 6 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Saxophone Tenor Treble 16 0 4 6 95%
Cornet
or Trumpet		 Treble 12 0 2 6 92%
Saxophone soprano Treble 12 0 2 6 87%
Saxophone baritone Treble 15 0 2 4 67%
 
Overture
Kyle Downes
5:00 Est. Play
Time
189 Measures
1,779Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 34 43 6 7 100%
Bass 41 29 13 8 99%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 34 43 6 7 100%
Bass 41 29 13 8 99%
Elysia Treble 19 0 3 7 46%
Alan Treble 15 0 0 8 32%
 
Aria for Soprano and Orchestra (from "Mother Hulda")
Jakob Altmann
2:33 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bratsche 16 0 4 6 99%
Violine Treble 20 1 4 8 97%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bratsche 16 0 4 6 99%
Violine Treble 20 1 4 8 97%
Treble 16 0 3 7 97%
Violoncello Bass 20 0 5 6 92%
Fagott Bass 13 0 3 6 73%
Sopran Treble 14 0 4 5 60%
Horn Treble 5 0 1 4 40%
 
Mirala como se va - Soprano
papisenior
2:25 Est. Play
Time
48 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 11 0 3 6 100%
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Soprano Treble 11 0 3 6 100%
 
HWV56N38 - "How beautiful are the feet" - 1741
edward.maurath
5:30 Est. Play
Time
42 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 20 0 5 7 98%
Organo Treble 24 85 7 6 96%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 20 0 5 7 98%
Organo Treble 24 85 7 6 96%
Bass 16 27 5 7 96%
Violini Treble 27 25 9 8 91%
Contrabasses Bass 16 0 3 7 82%
Violoncelli Bass 18 0 3 7 82%
Soprano 17 0 6 6 79%
Cemballo Treble 18 26 5 6 46%
Bass 16 14 4 6 46%
 
HWV56N15 - And the angel said unto them
edward.maurath
0:35 Est. Play
Time
11 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 14 3 6 100%
Bass 14 7 2 4 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 15 14 3 6 100%
Bass 14 7 2 4 100%
Cello Bass 8 0 1 4 100%
Contrabass Bass 8 0 1 4 100%
Soprano 9 0 2 5 82%
 
BWV 21 #08 Komm, mein Jesu, und erquicke
edward.maurath
4:35 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabasso Continuo Bass 21 0 6 5 100%
Organo Continuo Treble 20 67 6 6 100%
View all 5 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Contrabasso Continuo Bass 21 0 6 5 100%
Organo Continuo Treble 20 67 6 6 100%
Violoncello Continuo Bass 23 0 6 5 100%
Soprano Treble 20 0 8 7 90%
Basso Bass 16 0 4 6 89%
 
HWV56N36 - Thou art gone up on high - 1754
edward.maurath
3:38 Est. Play
Time
117 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 26 74 10 7 83%
Bass 26 42 8 6 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 26 74 10 7 83%
Bass 26 42 8 6 100%
Cello Continuo Bass 19 0 5 6 99%
Soprano Treble 18 0 7 7 74%
Violin Treble 24 0 9 6 62%
Violone Continuo Bass 17 0 3 6 59%
 
He shall feed his flock like a shepherd (1741)
edward.maurath
5:39 Est. Play
Time
57 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 22 73 6 6 100%
Bass 20 21 6 9 96%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 22 73 6 6 100%
Bass 20 21 6 9 96%
Contrabassi Continuo Bass 22 0 7 9 100%
Viole 19 0 6 8 100%
Violini 1 Treble 21 0 5 9 100%
Violini 2 Treble 20 0 7 7 100%
Violoncelli Continuo Bass 24 0 7 9 100%
Soprano 12 0 3 8 49%
Alto 12 0 3 7 35%
 
HWV56N38 - "How beautiful are the feet" - 1742
edward.maurath
2:24 Est. Play
Time
25 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 18 0 4 5 96%
Organo Treble 19 51 4 5 92%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 18 0 4 5 96%
Organo Treble 19 51 4 5 92%
Bass 15 22 4 5 92%
Violini Treble 18 0 4 8 92%
Contrabasses Bass 16 0 3 5 76%
Violoncelli Bass 17 0 3 5 76%
Soprano 12 0 3 6 68%
Cemballo Treble 17 25 4 5 60%
Bass 14 13 3 5 60%
 
Bois épais (Amadis - Jean-Baptiste Lully)
Carlos E. Marrero
2:04 Est. Play
Time
56 Measures
1,148Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clave
II		 Treble 19 8 3 7 100%
Bass 21 6 5 6 100%
View all 17 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Clave
II		 Treble 19 8 3 7 100%
Bass 21 6 5 6 100%
Clave
I		 Treble 21 43 5 17 100%
Bass 20 0 2 6 97%
Cello Bass 18 0 3 6 100%
Contrabajo Bass 19 10 3 6 100%
Violas
1		 14 0 1 7 100%
Violas
2		 13 0 1 6 100%
Violines
1		 Treble 13 0 2 7 100%
Violines
2		 Treble 13 0 3 6 100%
Amadis Treble 12 0 2 8 75%
Oboe
d'Amore		 Treble 12 0 5 8 75%
Flauta Treble 13 0 1 5 27%
Oboe Treble 7 0 1 5 27%
Fagot
1		 Bass 9 0 0 6 25%
Fagot
2		 Bass 15 0 1 5 25%
Clarinete
en
Si♭		 Treble 8 0 1 5 9%